![]() ![]() For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. To rectify them, changes were made to the remasters with a Digital Audio Workstation. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDsHaving made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquersThe next step was to use the Neumann VMS80 cutting lathe at Abbey Road. First, it was judged to create a warmer sound than a DMM. After much discussion, two factors swung the decision towards using the lacquer process. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinylA 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. However, the process involved to do that was far from simpleThe first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Pepper's Lonely Hearts Club Band packaging includes replica psychedelic inner sleeve, cardboard cutout sheet and additional insertThere has always been demand for The Beatles' albums on vinyl. With this release, The Beatles' first four albums make their North American stereo vinyl debutsSgt. Pepper's Lonely Heart Club Band's cut-outs, and special inner bags for some of the titlesThe titles include The Beatles' 12 original UK albums, first released between 19, the US-originated Magical Mystery Tour, now part of the group's core catalogue, and Past Masters, Volumes One & Two, first released individually in 1988, featuring non-album A-sides and B-sides, EP tracks and rarities. ENGLISH The Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debutManufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt.
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